Gateway of India

Gingee in Puducherry is one of the finest forts in South India. Its origin dates back to the 9th century when it was a stronghold of the Cholas but the fort as it looks today is the handiwork of the Vijaynagara kings who made it an impregnable citadel. The fortified city is built on the seven hills, the most prominent of which are Krishnagiri, Chandragiri and Rajagiri.

Surrounded by high walls, it was so strategically planned as to make enemies think twice before they attacked. Strongly guarded by a triple gate beyond which lay equally heavily guarded courts, the summit of the Rajagiri could not have been easily attained by any of the enemies. Today, the summit can be reached after a two hour climb, still a strenuous task, but well worth the effort.

A place of great historic interest, Gingee, no longer an unsurmountable citadel, is one of the most interesting centres on the Tamil Nadu tourist circuit.

India is a country with a deep manifested past. Her rich cultural heritage has kept everyone in a maze. All the states in India have some or the other cultural history. If you ever chance to visit Hyderabad, the capital of Andhra Pradesh, you can’t possibly miss out the 400-year-old majestic and imposing Golconda Fort situated on the western outskirts in the city. The fort was built by the Kakatiya dynasty in the 13th century.

Considered one of India’s most outstanding citadels, the Golconda fort epitomises the sumptuous ‘Nawabi’ culture of the time. "Shepherd's Hill" or "Golla Konda", as it was popularly known in Telugu, has an interesting story behind it. One day, a shepherd boy came across an idol on the rocky hill, which was called Mangalavaram. The news was conveyed to the ruling Kakatiya king. The king got a mud fort constructed around the holy spot and his descendents continued to follow this trend.

Later, the Golconda fort came into the possession of the Bahmani dynasty. Still later, the Qutub Shahi dynasty took over and made Golconda its capital. Golconda fort owes much of its present grandeur to Mohammad Quli Qutub Shah. The subsequent generations saw Golconda being fortified further with several additions and the formation of a beautiful city within. By the 17th century, Golconda was famous as a diamond market. It gave the world some of the best-known diamonds, including the ‘Kohinoor’.

The meticulous details of the architecture and the fading gardens, which were once upon a time replete with sprawling lawns and playing fountains has the power to transport you back in time. The magnificent architecture of the Golconda fort is as imposing as ever, and this is evident from the colossal gate at the entrance studded with long iron spikes, to deter invading armies from battering it down. The gate leads to the portico known as the Balahisar gate, magnificent as the gate itself.

One can’t help, but be amazed at the modern acoustic system, which was so designed that a handclap sounded at the Balahisar gate of the fort could be heard right up in the citadel! The brilliant planning of the architects is evident from the ventilation, which is so designed to let in bouts of fresh cool breeze, a respite from the scorching humid summer of Andhra Pradesh!

Also worth having a look at is the royal Nagina Gardens, the bodyguards’ barracks, and the three water tanks, all of 12 metres deep, which once formed part of an intricate water system in the fort. The crowning glory of the fort is the durbar hall, which stands atop a hill overlooking the twin cities of Hyderabad and Secunderabad. It is approached by a thousand-step stairway, and if you can summon up the energy to accomplish the climb, you will be rewarded with a great view of the cities below- including (on a clear day) the famous Charminar itself.

Outside the Golconda fort are two separate pavilions built on a rocky eminence called the Taramathi Gana Mandir and the Premathi Nritya Mandir, where the legendary sisters Taramathi and Premamathi lived. They gave their performance on a circular dais atop a two-storied structure called the Kala Mandir, which was visible from the king's durbar. Efforts are on to revive the glory of the Kala Mandir, now in a dilapidated condition, by organizing the Deccan art festival annually. The beautiful domed Qutub Shahi tombs with Islamic architecture are situated close to the fort.

A new attraction at the fort is a sound and light show that brings the legend of Golconda to life. With a spectacular interplay of audio and visual effects, the saga of Golconda unfolds over centuries of splendour. The show is presented in English and Telugu on alternate days of the week. The Golconda fort still stands tall as a proud sentinel amidst the current day Golconda artillery of the Indian army, which has sprung up today.

Sri Harmandir Sahib, also known as Sri Darbar Sahib or Golden Temple, (on account of its scenic beauty and golden coating), situated in Amritsar(Punjab), is the most sacred temple for Sikhs. This temple propagates Sikhism’s message of tolerance and acceptance through its architecture that has incorporated symbols from other religions. The Sikhs all over the world, wish to visit Sri Amritsar and to pay obeisance at Sri Harmandir Sahib in their Ardas.

Guru Arjan Sahib, the Fifth Nanak, conceived the idea of creating a central place of worship for the Sikhs and he himself designed the architecture of Sri Harmandir Sahib. Earlier, the plan to excavate the holy tank (Amritsar or Amrit Sarovar) was chalked out by Guru Amardas Sahib, the Third Nanak, but Guru Ramdas Sahib executed it under the supervision of Baba Budha ji. The land for the site was acquired by the earlier Guru Sahibs on payment or free of cost from the Zamindars (landlords) of native villages. The plan to establish a town settlement was also made. Therefore, the construction work on the Sarovar (the tank) and the town started simultaneously in 1570. The work on both the projects was completed in 1577 A.D.

Guru Arjan Sahib got its foundation laid by a Muslim saint Hazrat Mian Mir ji of Lahore in December 1588. The construction work was supervised by Guru Arjan Sahib himself and he was assisted by the prominent Sikh personalities like Baba Budha ji, Bhai Gurdas ji, Bhai Sahlo ji and many other devoted Sikhs.

Unlike erecting the structure on the higher level, Guru Arjan Sahib got it built on the lower level and got it open from all four sides. Thus, he created a symbol of new faith, Sikhism. Guru Sahib made it accessible to every person without any distinction based on caste, creed, sex and religion.

The building work was completed by September 1604. Guru Arjan Sahib installed newly created Guru Granth Sahib (the holy book of the Sikhs), in Sri Harmandir Sahib and appointed Baba Budha ji as its first Granthi i.e. the reader of Guru Granth Sahib. After this event it attained the status of ‘Ath Sath Tirath’, Sikh nation’s own Tirath.

Sri Harmandir Sahib, is built on a 67ft. square platform in the centre of the Sarovar (tank). The temple itself is 40.5ft. square. It has a door each on the East, West, North and South. The Darshani Deori (an arch) stands at the shore end of the causeway. The doorframe of the arch is about 10ft in height and 8ft 6inches in breadth. The door panes are decorated in artistic style. It opens on to the causeway or bridge that leads to the main building of Sri Harmandir Sahib. It is 202 feet in length and 21 feet in width.

The bridge is connected with the 13 feet wide ‘Pardakshna’ (circumambulatory path). It runs around the main shrine and it leads to the ‘Har ki Paure’ (steps of God). On the first floor of ‘Har ki Paure’, there is continuous reading of Guru Granth Sahib.

On the top stands the low fluted ‘Gumbaz’ (dome) having lotus petal motif in relief at the base and an inverted lotus at the top, which supports the ‘Kalash’ having a beautiful ‘Chhatri’ at the end.

Its architecture represents a unique harmony between the Muslim and the Hindu way of construction work and this is considered as one of the best architectural specimens of the world. It is often quoted that this architecture has created an independent Sikh school of architecture in the history of art in India. The temple is a noted combination of stupendous beauty and sublime peacefulness. It can be said that the heart of Sikhism lies here.

Hampi, the 14th century capital of one of the greatest empires of medieval India called the Vijayanagar Empire, lies in the Deccan heartland, in the state of Karnataka. The 14th Century ruins of Hampi lie scattered in about 26 sq. km areas, amidst giant boulders and vegetation. Protected by the tempestuous river Tungabhadra in the north and rocky granite ridges on the other three sides, the ruins silently narrate the story of grandeur, splendour and fabulous wealth. The splendid remains of palaces and gateways of the broken city tells a tale of man's infinite talent and power of creativity together with his capacity for senseless destruction.

The monuments of Vijayanagar city, also known as Vidyasagar in honour of the sage Vidyaranya was built between 1336-1570 AD, from the times of Harihara-I to Sadasiva Raya. A large number of royal buildings were raised by Krishnadeva Raya (AD 1509-30), the greatest ruler of the dynasty.

The period witnessed resurgence of Hindu religion art, architecture in an unprecedented scale. Temples of Hampi are noted for their large dimensions, florid ornamentation, bold and delicate carvings, stately pillars, magnificent pavilions and a great wealth of iconographic and traditional depictions, which include subjects from the Ramayana and the Mahabharata.

The Vitthala temple in Hampi is an excellent example of Vijayanagar style. The monolithic statues of Lakshmi, Narasimha and Ganesha are noted for their massiveness and grace. The Krishna temple, Pattabhirama temple, Hazara Ramachandra and Chandrasekhara temple as also the Jain temples, are other examples. Majority of these temples in Hampi were provided with widespread bazaars flanked on either side by storied Mandapas.

Among secular edifices, mention may be made of the Zenana enclosure wherein a massive stone basement of the Queen's palace and ornate pavilion called 'Lotus-Mahal' are the only remnants of a luxurious 'Antahpura'. The corner towers of arresting elevation, the Dhananayaka's enclosure (treasury), the Mahanavami Dibba carrying beautifully sculptured panels, a variety of ponds and tanks, Mandapas, the elephant's stables and the row of pillared Mandapas are some of the important architectural remains of Hampi.

Recent excavations at the Hampi have brought to light a large number of palatial complexes and basements of several platforms. Interesting finds include a large number of stone images, beautiful terra cotta objects and stucco figures that once embellished the palaces at Hampi.

In addition, many gold and copper coins, household utensils, a square stepped-tank (Sarovar) at the south-west of Mahanavami Dibba, and a large number of ceramics, including the important variety of porcelain and inscribed Buddhist sculptures of 2nd-3rd century AD have also been unearthed.

For over 100 years this fort has been over looking the city of Gwalior. One of the most invincible forts in India, this imposing citadel has changed many hands. It is built on a hill of sandstone and towers 100 meters from the plain. The outer wall of the fort is almost 2 miles in length and the width varies from one km's to 200 meters. The walls of the fort gives way onto the steep slopes. This fort has been a witness to many battles in the turbulent times as well as festivals in the peace time. The rulers have imparted justice from the fort which has seen the imprisonment of many. The ceremonies held in the fort have been spelled out grandeur but the Jauhars have screamed distress. It was here that Tatyia tope and Rani of Jhansi fought for their freedom. Rani of Jhansi laid down her life in an assault by the British to capture the fort.

The Hill Palace, the official residence of the Kochi royal family, is today the largest archaeological museum in Kerala. Built in 1865, the palace complex consists of 49 buildings in the traditional architectural style of Kerala, sprawled over 52 acres of beautifully landscaped terraced land which houses a deer park and facilities for horse riding. Numerous species of flora including rare medicinal plants grow here. On display in the full-fledged Ethno-archaeological museum are oil-paintings, murals, sculptures in stone and manuscripts, inscriptions, coins, belongings of the Kochi royal family and royal furniture including the simhasana (throne).

Also exhibited are over 200 antique pieces of pottery and ceramic vases from Japan and China, Kudakkallu (tomb stone), Thoppikkallu (hood stone), menhirs, granite, laterite memorials, rock cut weapons from the stone ages, wooden temple models, plaster cast models of objects from Mohanjodaro and Harappa of the Indus Valley Civilisation. The museum also houses a gallery of contemporary art.

Situated at the banks of Yamuna river, Delhi, the capital of India, is a vibrant modern city with an ancient and eventful history. The city with its multi-faceted culture can aptly said to be a microcosm of the whole nation. Visit to the city offers a unique two-in-one experience as New Delhi with its wide roads and high rise buildings gives a feel of being in a contemporary city whereas a stroll down the streets of Old Delhi can easily take one to a bygone era with its narrow lanes and old ‘havelis’. Delhi has thousands of historical monuments and places of religious importance.

India Gate, an important monument of the city, is a memorial built in commemoration of more than 80,000 Indian soldiers who were killed during World War I. The monument is an imposing 42 meters high arch and was designed by the famous architect Edwin Lutyens. India gate was earlier named All India War Memorial. The design of India gate is almost similar to its French counterpart war memorial, the Arc-de-Triomphe.

The building is made of red stone that rises in stages into a huge molding. On top of the arch, INDIA is written on both sides. Names of over 70,000 Indian soldiers are inscribed on the walls of the monument in whose memory it is built. There is a shallow domed bowl at the top, which was intended to be filled with burning oil at special occasions.

At the base of the India gate there is another memorial, the Amar Jawan Jyoti that was added after independence. This eternal flame was lighted in commemoration of the unknown soldiers who laid their lives to serve this nation.

The lush green lawns, Children Park and the famous boat club around the place make it a perfect picnic spot. Cool evening breeze near the fountains of India gate attract hundreds of visitors daily. In the evenings, India gate is illuminated with number of lights around it that gives it a magnificent appeal. Standing near the base of the monument one can have a good view of the Rashtrapati Bhawan. The beautifully lit up monument provides a memorable background against the darkening sky. Even in daylight, the stretch between India Gate and the Rashtrapati Bhavan offers a splendid view.

Every year on 26th January India gate stands witness to the Republic Day parade where latest advancements of defence technology is displayed. The parade is also a good platform to have a glimpse at the colourful and diverse cultural heritage of India as artists from all over the country perform on the occasion.

Jaisalmer Fort was built in 1156 and is the second oldest in the state of Rajasthan. Two hundred and fifty feet tall and reinforced by an imposing crenellated sandstone wall 30 feet high, the fort has 99 bastion, 92 of which were built between 1633 and 1647. Wells within the fort still provide a regular source of water. The fort , built by Rawal Jaisal, which crowns the 80m highTrikuta hill, has its outer wall of palaces, houses and temples of soft yellow sandstone. It has narrow winding lanes and four huge gateways, the last one leading to main chowk dominated by the old palace of the Maharwal. Almost one quater of the town's population resides inside the fort. It is approached through Ganesh Pol, Suraj Pol, Bhoot Pol and Hawa Pol. Also, within it are many beautiful havelies and a group of Jain temples dating from the 12th to the 15th centuries.

Jama Masjid (the mosque of Friday), Delhi is the country's largest and perhaps its most magnificent mosque. It stands across the road from Red Fort. The great mosque of Old Delhi is the final architectural extravagance of the Mughal Emperor Shah Jahan with a courtyard capable of holding 25,000 devotees. The mosque measures 65m by 35m, and its court forms a square of 100m. Built in 1656, it is an eloquent reminder of the Mughal religious fervour. Its spacious courtyard holds thousands of the faithful who offer their prayers here.

It's also known as 'Masjid-i-Jahanuma' or ‘Mosque commanding view of the world’. It was designed as Emperor Shahjahan's principal mosque. A sprawling esplanade separates it from the main road.

Situated in the ancient town of Old Delhi, this monument was built by five thousand artisans. This magnificent structure stands on the Bho Jhala, one of the two hills of the old Mughal capital city of Shahjahanabad. On the east, this monument faces the Lal Quila (Red Fort) and has three gateways, four towers and two minarets. It is constructed of alternating vertical strips of red sandstone and white marble. In the three domes white marble has been used extensively and they have been inlaid with stripes of black.

The structure was placed on a high platform so that its magnificent facade would be visible from all the adjoining areas. Broad flights of steps lead up to the imposing gateways in the north and the south. Wide staircases and arched gateways are the hallmark of this popular mosque. The main eastern entrance, probably used by the emperors, remains closed on weekdays. The main prayer hall on the west side is adorned by a series of high cusped arches, standing on 260 pillars which support about 15 marble domes at various elevations. Worshippers use this hall on most days but on Fridays and other holy days. The premises of the south minaret are 1076-sq-ft wide where 25,000 devotees at a time may sit together for namaaz (prayer).

It is said that Emperor Shahjahan built Jama Masjid at the cost of Rs 10 crore and it can be called as the replica of Moti Masjid in Agra. It combines the best of Hindu and Muslim styles of architecture.

A whole way of life, a microcosm of quintessential India resides in the shadow of this age-old monument, on its steps, in the narrow streets, narrating a tale of India’s rich cultural heritage.

At first sight, the Jantar Mantar appears like a gallery of modern art. It is, however, an observatory. Sawai Jia Singh II of Jaipur (1699-1743), a keen astronomer and a noble in the Mughal court, was dissatisfied by the errors of brass and metal astronomical instruments.

Under patronage from the emperor, he set on himself the task of correcting the existing astronomical tables and updating the almanac with more reliable instruments. Delhi's Jantar Mantar is the first of the five observatories that he built with large masonry instruments.

The observatory has the Samrat Yantra, a simple equal hour sun dial, the Ram yantra for reading altitudinal angles; Jai Prakash for ascertaining the position of the sun and other celestial bodies, and the Misra Yantra which is a combination of four scientific gadgets.

The Kamakhya Temple, which is situated high aloft a hill called Neelachal Parbat or Kamagiri in the city of Guwahati is one of its several religious landmarks, which speaks volumes about the rich historical treasure over which the state of Assam is seated. This sacred temple in the heart of the capital city of Assam holds more than it meets the eye of the onlooker. The Kamakhya Temple had been built in reverence to Goddess Kamakhya or Sati, who was one of the numerous incarnations of Goddess Durga or Goddess Shakti.

The temple is situated a few kilometers away from the Guwahati Railway Station, and is open for visitors throughout the year. There is a legend attached to the history of the temple, which goes way back to the mythological age. According to the legend, Sati the wife of Lord Shiva (one of the holy Trinities in Hindu mythology) took her life at a ‘Yagna’ ceremony that had been organized by her father Daksha, because she could not bear the insults hurled at her husband by her father. On hearing the news of his wife’s death, Shiva, the destroyer of all that was evil flew into a rage and punished Daksha by replacing his head with that of a goat. Torn between misery and blind fury, Shiva picked up the corpse of his beloved wife Sati and performed a dance of destruction called the ‘Tandava’. The intensity of the destroyer’s fury was so overwhelming that it took several Gods to pacify his anger. In the midst of this struggle, Sati’s corpse accidentally got cut into 51 parts by the disc in the hands of Lord Vishnu (also one of the Trinities in Hindu mythology), and her female genitalia or ‘Yoni’ fell on the spot where the Kamakhya temple stands today, forming one of the many Shakti ‘Peethas’ embellishing the rest of her body parts.

King Nara Narayana of Cooch Behar rebuilt the temple in 1665 after it had suffered destruction at the hands of foreign invaders. The temple consists of seven oval spires, each topped by three golden pitchers, and the entrance spirals down to a curvy path of some distance, which specially links the main road to the temple. Some of the sculptured panels of the temple carry depictions of Gods and Goddesses of Hindu pantheon carved in a delightful pattern. Tortoises, monkeys, and large number of pigeons have made the temple their home, and loiter around the premise, being fed by the temple authorities and the visitors. The cryptic, as well as the peaceful ambience of the temple combine together to soothe the nerves of visitors, and take their minds to flights of inner salvation, and this is the very reason that people come here for.

With all its enigmatic splendor and picturesque locale, the Kamakhya Temple is one of the most astounding structures, not only in Assam, but also in the whole of India.

Varanasi, also known as Benaras and Kashi, is a major city in the north Indian state of Uttar Pradesh. Situated on the banks of the holy river Ganga, the city has great religious significance for the Hindus. Varanasi is home to Kashi Vishwanath Temple, which is dedicated to Lord Shiva. It enshrines one of the twelve Jyotirlingams of Shiva. It is said that this temple was rebuilt several times. The latest structure standing here dates back to the 18th century. Thousands of Pilgrims converge here to perform an abhishekam to the sacred Jyotirlingam, with water from the Ganga.

Beside its religious significance, the temple is also an architectural marvel. The magnificent edifice offers a breathtaking view to the onlooker. It is said that once Lord Shiva came in the dream of Rani Ahalya Bai Holkar of Indore. She, being a devotee of Lord Shiva, got the current temple built in 1777.

Vishwanath Khanda, also referred to as the Old City is located at the heart of Varanasi, between Dashashwamedha Ghat and Godaulia to the south and west and Manikarnika Ghat on the river to the north. The whole area rewards exploration, with numerous shrines and lingams tucked into every corner, and is buzzing with the activity of pilgrims, pandas and stalls selling offerings to the devotees.

Approached through a maze of narrow alleys and the Vishwanath Gali (or Lane), the temple complex of Vishwanath or Visheshwara, the "Lord of All", is popularly known as the Golden Temple, due to the massive gold plating on its shikhara (spire). Inside the compound, which is hidden behind a wall, and entered through an unassuming doorway, is one of India's most important shivalingams, made of smooth black stone and seated in a solid silver plinth. The shrines of the wrathful protectors Mahakala and Dandapani, and the lingam of Avimukteshvara are also situated within the temple complex.

Pilgrims offer their sankalpa or statement of intent here, before commencing the Panchatirthi Yatra. Slightly north, across the main road, the thirteenth-century Razia's Mosque stands atop the ruins of a still earlier Vishwanatha temple.

Varanasi is said to be the point at which the first jyotirlinga, the fiery pillar of light by which Shiva manifested his supremacy over other gods, broke through the earth’s crust and flared towards the heavens. More than the Ghats and even the Ganga, the Shivalinga installed in the temple remain the devotional focus of Varanasi.

Kye Monastery is situated 12 kms. north of Kaza and serves the western population of Spiti in the Lahaul & Spiti District of Himachal Pradesh. It is the oldest and biggest monastery of the valley and located at (4116 m) above Kye village. It houses beautiful scriptures and paintings of Budha and other goddesses. Lamas practice dance, sing and play on pipes and horns. Many Lamas get religious training here. It has murals and books of high aesthetic value. This monastery is an outstanding example of the monastic architecture, which developed during the 14th century in the wake of the Chinese influence. The Mongols plundered the monastery in the middle of the 17th century. In the 19th century, it again suffered three brutal attacks. The successive trails of destruction and patch-up jobs have resulted in a haphazard growth of box-like structures, and the complex now resembles a defensive fort.

Humayun's tomb in the capital Delhi is a fine specimen of the great Mughal architecture. Built in 1570, the tomb is of particular cultural significance as it was the first garden-tomb on the Indian subcontinent. Its unique beauty is said to have inspired several major architectural innovations, culminating in the construction of the unparalleled Taj Mahal. In many ways, this magnificent red and white sandstone building is as spectacular as the famous 'monument to love' in Agra. This historic monument was erected by Humayun's queen Hamida Banu Begam (Haji Begam) at a cost of about 1.5 million. It is believed that she designed the tomb.

The splendour of this monument becomes evident on entering the grandiose double-storeyed gateway. High rubble walls enclose a square garden divided into four large squares separated by causeways and water channels. Each square is divided again into smaller squares by pathways, forming a typical Mughal garden called Charbagh. The fountains were worked with simple yet highly developed engineering skills quite common in India during this period. The last Mughal emperor, Bahadur Shah Zafar II had taken refuge in this tomb during the first War of Independence in 1857. Several rulers of the Mughal dynasty lie buried here. Humayun's wife is buried here too.

The main sarcophagus stands in the central hall, oriented - in accordance with Muslim practice - on the north-south axis. Traditionally, the body is placed with the head to the north, the face turned sideways towards Mecca. The dome is what is called a full dome, a complete semi-circle which is a special feature of Mughal architecture. The structure is built with red sandstone, but white and black marble has been used in the borders. UNESCO has declared this magnificent masterpiece a world heritage.

Khajuraho, the ancient Kharjjuravahaka, is located in the State of Madhya Pradesh and was the principal seat of authority of the Chandella rulers who adorned it with numerous tanks, scores of lofty temples of sculptural grace and architectural splendour.

Yasovarman (AD 954) built the temple of Vishnu, which is now famous as Lakshmana temple, and is an ornate and evolved example of its time proclaiming the prestige of the Chandellas.

Temples of Khajuraho are world famous for their architectural art and have been declared world heritage by UNESCO. The Visvanatha, Parsvanatha and Vaidyanatha Temples belong to the time of king Dhanga, the successor of Yasovarman. The Jagadambi, Chitragupta, are noteworthy among the western group of royal temples of Khajuraho. The largest and grandest temple of Khajuraho is the immortal Kandariya Mahadeva, which is attributed to king Ganda (AD 1017-29). The other examples that followed viz., Vamana, Adinatha, Javari, Chaturbhuj and Duladeo, are smaller but elaborately designed. The Khajuraho group of temples is noted for lofty terraces (jagati) and functionally effective plans. The sculptural embellishments include, besides the cult images; parivara, parsva, avarana devatas, dikpalas, the apsarases and sura-sundaris, which win universal admiration for their delicate, youthful female forms of ravishing beauty. The attire and ornamentation embrace the winsome grace and charm.